Particularly relevant to the our next meeting on 31st March where we will select 20 images to represent the Club in the Olney Head-to-Head …
This is the perfect opportunity to use the experience of other members to sharpen your thoughts on some of your images in open forum ahead of any external competitions you individually may be choosing to enter, or simply in narrowing down your favourite shots from a location shoot to a “top-shot”. You may be torn between two similar images – perhaps with different exposure or different depth of field, or perhaps you are undecided on whether an image works best in colour or black & white. Or you may wish to know what a judge might say about your image(s). Or you may want a view on how you could enhance an image – simply by cropping or perhaps with more post-processing. The wealth of experience within the club can help you to understand what works well, what judges like/ dislike, to enhance your starting point – or simply to offer a fresh perspective that will hopefully help you to move your photography on.
We will select a total of 20 images from BAND submissions, to represent the club in our annual, friendly Head-to-Head with Olney. No more than 3 submissions or selected images from each member to encourage inclusiveness. Open theme.
We have asked judge Pat Couder, CPAGB BPE1 QPSA (www.patcouder.com) to help us with the selection of images. Pat has asked to review the images ahead of time, which will require the Club to have a separate ZOOM session showing her the submission folder on BAND. This means that thre will be a strict cut-off date of Wednesday 24th March for submissions.
Widely published and an ambassador for NiSi filters and PhotoPro tripods, Wayne is a landscape specialist.
“I live close to the Staffordshire, Derbyshire border and have over 40 years experience behind the Lens. My passion for Landscape Photography comes from my love of the great outdoors. I often rise before the sun and will travel miles to capture the sheer beauty of the British Landscape.”
We will review the 3 challenges set over the preceding 3 months, picking up key points of sharing and learning and highlighting particularly successful outputs:
– Winter
– Indoor Flash (with Motion)
– Panorama
There may be a video or two, too.
“My interest in photography spans more than forty years and although it encompasses a number of genre’s my affection for the simple distillation of images, particularly those with strong narrative power is one that remains consistent irrespective of the photos I am taking.
Often the subjects I photograph already have a strong story telling/documentary element, but by selectively composing, sensitively using lighting and carefully controlling tonal gradations, visual dialogue can be enhanced resulting in a more evocative and thought provoking final mage. Whether I am printing in colour or monochrome I enjoy natural lighting and have a penchant for hard aggressive printing. I work in panels and produce congruent and thematic bodies of work.
I am both a fellow of the Royal Photographic Society and the Irish Photographic Federation. I hold a Master at the Photographic Alliance of Great Britain and have won numerous gold and silver medals. I am privileged to be asked to judge national photographic competitions and I’ve had my own exhibitions. I regularly lecture on the photographic clubs/society circuit and I have had images printed with accompanying articles published.
An avid monochrome worker, I enjoy the simplicity that the black and white image affords. I believe that by removing colour, the focus is shifted, distractions are minimized viewers impressions are altered. My goal, wherever possible, is to create drama, mood and narrative power.”
A selection of 20 of our members’ best images will be pitted against Olney’s selection in what is always a fun, sociable evening.
Our guest judge is Colin Mill (New City Photographic Society) – www.colinemill.co.uk/portfolio.html
A panel of more experienced members will be on hand to give and facilitate opinions specifically related to improving members’ images. Come armed with images that you want to improve, whether compositionally or post-processing. You may have a range of images of the same subject and wish to have a view on which works best. You may have images that did not work out as you intended and want to find out why. Whatever your level, this is your chance to benefit from the experience of other members and to improve your image making potential.
With spring flowers in full bloom, we’ll have a look at macro techniques and attempt to iron out any issues.
We will aim to complete the formal business of the evening fairly promptly, including a review of the year. Followed by a special presentation, organised by the outgoing Chairperson, by guest speaker Chris Bonfield.
Chris is a pilot, whose wings were clipped last year as the airline industry went into crisis. This talk illustrates the process and product of a project he undertook from his flat high up in an apartment block in Dubai: “With plenty of time on my hands last year, confined to my apartment thanks to COVID, I experimented with photographing the same scene different ways!”
Chris is currently using his undoubted photographic skill photographing property interiors and people commercially.
We have previously had the pleasure of hearing Chris present to our Club – and he went down very well indeed!
This presentation really does have something for everyone, with a broad selection of images from around the world and close to home. The lecture contains many examples of how he works to develop the image in the field or in post processing to achieve the desired result.
Often the subjects I photograph already have a strong story telling/documentary element, but by selectively composing, sensitively using lighting and carefully controlling tonal gradations, visual dialogue can be enhanced resulting in a more evocative and thought provoking final mage. Whether I am printing in colour or monochrome I enjoy natural lighting and have a penchant for hard aggressive printing. I work in panels and produce congruent and thematic bodies of work.
I am both a fellow of the Royal Photographic Society and the Irish Photographic Federation. I hold a Master at the Photographic Alliance of Great Britain and have won numerous gold and silver medals. I am privileged to be asked to judge national photographic competitions and I’ve had my own exhibitions. I regularly lecture on the photographic clubs/society circuit and I have had images printed with accompanying articles published.
An avid monochrome worker, I enjoy the simplicity that the black and white image affords. I believe that by removing colour, the focus is shifted, distractions are minimized viewers impressions are altered. My goal, wherever possible, is to create drama, mood and narrative power.”
Current Government guidance suggests that we will be able to meet outdoors as a group (or smaller) groups by late June.
We will hope for good light and meet at an agreed venue and endeavour to produce a selection of shots that may or may not look anything like anyone else’s images! Variety is the spice of life! Feel free to share ideas and discuss different approaches. We will compare and contrast outputs in a future meeting.
We will review the 3 challenges set over the preceding 3 months, picking up key points of sharing and learning and highlighting particularly successful outputs.
Due to widespread interest in England’s semi-final match on Wednesday, we have moved the planned review of our Sywell trip to 1st September. Instead of a live session, members will be provided with on demand resources on the theme of our latest challenge “Panels of Images”, which can be viewed in Wednesday’s slot or at the convenience of members.
P.I.M.S. stands for the Pat, Ian and Mike show which develops during the talk. The presentation is something a bit different – a collection of images taken as part of monthly challenges on set themes, and only shot indoors. Their ‘before and after’ images will be shown and they will explain “how we did it”, with member participation along the way.
Pat Couder CPAGB, BPE1, QPSA and Ian Brash CPAGB, BPE2
We will hope for good light and meet at an agreed venue for a sociable walk, offering a variety of subject matter to photograph. It is a great opportunity to share ideas and different approaches.
No doubt we’ll all come away with a selection of shots reflective of our own individual style of photography, which we will compare and contrast in a future meeting.
I will take you from my first image in 2006/7 with a brief explanation of my health restrictions, which also impact on my photography. Despite these barriers I earned my distinctions, EFIAP, BPE 2 and LDPS. You will see the images that contributed to all the exhibition acceptances and hear some of the stories behind them. I will also share how I created some of the award winning images and I will end with my CPAGB panel.”
A special practical event with archers in period dress. This event will take place in a special location, which will be confirmed with members closer to the time.
I am based in the South West area and whilst I enjoy a number of different aspects of photography with varying degrees of success, my passion is the Northern Lights and it has become an addiction.
My presentation “Chasing the Lights” gives an insight into this natural phenomenon, with images, personal anecdotes and advice on photographic techniques to capture them, based on the knowledge I have developed over the years whilst pursuing this passion.
Photography is very much a hobby for me, with the Lights being one of those things that was on my bucket list, and a few years ago I was fortunate enough to have the opportunity to see them. This ignited a passion for them and I enjoy sharing my experiences (failures and successes) with others, so that they can appreciate the magic of this natural phenomenon.
Having moved within the past year from Surrey, I am an “out of town” member of Epsom Camera Club, with my home Club now being Tavistock Camera Club and I am a judge for the WCPF.
I have a hope to be able to capture the Northern Lights from Dartmoor, it is possible, but so many things have to be right!
We will hope for good light and meet at an agreed venue for a sociable walk, offering a variety of subject matter to photograph. It is a great opportunity to share ideas and different approaches.
No doubt we’ll all come away with a selection of shots reflective of our own individual style of photography, which we will compare and contrast in a future meeting.
Following a series of great photo walks and practical sessions over the summer, we will dedicate this meeting to compare and contrast outputs with an aim to pick up hints, tips and share ideas in the process. Even though everyone was in the same place at the same time, these exercises tend to throw up a broad sweep of outputs and a variety of techniques/ approaches, that all can learn from!
In this presentation we will look at some of the useful tools and features in Photoshop including layers, making selections, masks, adjustment layers and cloning. I’ve got a loose plan and will be working on ‘live’ examples, so please ask as many questions as you want and I’ll do my best to answer them.
A panel of more experienced members will be on hand to give and facilitate opinions specifically related to improving members’ images. Come armed with images that you want to improve, whether compositionally or post-processing. You may have a range of images of the same subject and wish to have a view on which works best. You may have images that did not work out as you intended and want to find out why. Whatever your level, this is your chance to benefit from the experience of other members and to improve your image making potential.
Composition is the key to creating interesting and exciting images, which reflects your own particular style. The choices you make regarding frame, focus, timing and viewpoint set you apart from other photographers. This presentation takes a detailed look at the approaches to composition taken by a number of famous photographers and examines the rules of composition: the ones you can safely ignore and the ones that nearly always work!
Like so many photographers I have been ‘snapping’ pictures of family, friends, and places for many years. I spent 35 years in the computer industry in Technical Support, Marketing and Project Management. After retiring I have studied photography with the Open College of the Arts now part of the University for the Creative Arts (UCA). I graduated with a BA (Hons) Photography in April 2017.
I was awarded my LRPS with the Royal Photographic Society in 2009. I have been a member of Daventry Photographic Society since 2002 and served as Chairman from 2007-2017.
Diane is a member of Banbury Photographic society.
As well as undertaking and having an in depth knowledge of all aspects of photo restoration and repair, she has extensive experience in forensic photo analysis, digital imaging, photo display work, scanning and re-sizing images, high quality printing and tailored Photoshop training and teaching.
Diane undertakes live demonstrations on Photo Restoration primarily using Photoshop and give talks on before and after photo restoration images.
So, dig out your old, creased photos and see how they can be transformed!
The annual head-to-head against Northampton Natural History Society.
This year the category is Open and we are required to select 20 images.
Please bring along up to 3 of your best images!
This meeting will take place on Zoom.
This year’s Versatility Challenge theme is: Animal, Vegetable, Mineral.
The emphasis here is on interpretation. It’s amazing how people interpret the same theme differently. Extra kudos for creativity!
Please bring along 2 image of each ready to present.
Charlie Waite’s favourite photographs and the story of how they were made.
Charlie Waite is firmly established as one of the world’s leading Landscape photographers. His photographic style is often considered to be unique, in that his photographs convey an almost spiritual quality of serenity and calm. Waite’s photographs are held in private and corporate collections throughout the world, and he has held numerous solo exhibitions at prestigious venues in the UK, Japan and the USA.
With over 30 books to his name, Waite’s distinctive images are recognised around the world and his work has received wide critical acclaim over many years. A recent article in Royal West of England Academy of Art Magazine featuring Waite’s work commented “Waite’s landscapes are rare perfections of light, colour and composition, and offer the viewer a luxuriant portrait of a planet at peace”.
Also a sought after writer, public speaker and television presenter, Waite has featured in numerous photographic and broadsheet publications, DVDs and television programmes on photography.
Through his company Light & Land, he continues to encourage lovers of photography to seek the enormous enrichment that can be found by engaging with the landscape with the camera acting as a conduit and a device to express the individual’s response to their world around them.
Waite particularly enjoys working with younger people as their uncluttered view on the world can bring some remarkable imagery.
In November 2003 my late husband, Eric and I were fortunate enough to join a small group of photographers led by a good friend, David Osborn FRPS on a photographic trip to the Falkland Islands. David had worked there and so was the ideal guide for our 15 days of photography, staying on several of the Islands. This talk summarises and hopefully takes you to see the many types of wildlife we were privileged to encounter there – from small birds to penguins and Elephant seals, most of which had no fear of mankind, due to low tourism numbers.
We will review the 3 challenges set over the preceding 3 months, picking up key points of sharing and learning and highlighting particularly successful outputs.
This meeting will take place on Zoom.
Bob returns with a follow-up of his Spring talk. Smart Shooting Part Two – From the Ordinary to Extra Ordinary builds on the ideas discussed in the first talk and extends to looking at how digital shooting differs from film. This is very important if we are to get the best from our digital cameras even though the basic controls are the same. It especially looks at managing exposure to get sharper, cleaner, clearer and more noise free pictures. This talk is necessarily more complex than the first and will take experienced shooters forward in their journey in photography, as well as challenging and stretching newer members, who may have heard the first talk or had help in club and be taking their first steps to taking control of their cameras.
The annual head-to-head against Northampton Natural History Society. This year the category is “Open” and we have selected 20 member images, which will be pitched against 20 images from NNHS in this sociable and friendly competiton.
This meeting will be held on Zoom.
Review of the Year, Christmas Quiz, Social with Nibbles.
This meeting will be held on Zoom.